<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  
    
  <dc:publisher>Franz Steiner Verlag</dc:publisher>
    
  
    
  <dc:date>2023</dc:date>
    
  
    
  <dc:subject xml:lang="deu">main tempo</dc:subject>
    
  <dc:subject xml:lang="deu">performance history</dc:subject>
    
  <dc:subject xml:lang="deu">macroformal tempo structure</dc:subject>
    
  <dc:subject xml:lang="deu">performance analysis</dc:subject>
    
  
    
  <dc:source>Archiv für Musikwissenschaft</dc:source>
    
  <dc:source>issn:0003-9292</dc:source>
    
  
    
  <dc:format>application/pdf</dc:format>
    
  
    
  <dc:description xml:lang="deu">The abstract is available here: https://kugscholar.kug.ac.at/o:135005</dc:description>
    
  
    
  <dc:title xml:lang="deu">Performative Form im ersten Satz von Gustav Mahlers Neunter Symphonie. Eine Diskussion der Deutungen von Erwin Stein, Bruno Walter, Leonard Bernstein und Michael Gielen auf Basis einer Korpusstudie zu 121 Aufnahmen</dc:title>
    
  
    
  <dc:rights xml:lang="eng">open access</dc:rights>
    
  
    
  <dc:rights>http://rightsstatements.org/vocab/InC/1.0/</dc:rights>
    
  
    
  <dc:type xml:lang="eng">text</dc:type>
    
  <dc:type xml:lang="eng">journal article</dc:type>
    
  
    
  <dc:identifier>doi:10.25162/afmw-2023-0007</dc:identifier>
    
  <dc:identifier>https://phaidra.kug.ac.at/o:135005</dc:identifier>
    
  
    
  <dc:creator>Christian Utz</dc:creator>
    
  
    
  <dc:language>deu</dc:language>
    
  
    
  <dc:description>The abstract is available here: https://kugscholar.kug.ac.at/o:135005</dc:description>
    
  
</oai_dc:dc>