<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:type xml:lang="eng">conference Object</dc:type>
  <dc:language>eng</dc:language>
  <dc:source>eavesdropping symposium London (2021-04-24)</dc:source>
  <dc:title xml:lang="eng">WITH: The significance of a preposition in music and practice.</dc:title>
  <dc:rights>All rights reserved</dc:rights>
  <dc:date>2021-04-24</dc:date>
  <dc:date>2022-12-11</dc:date>
  <dc:description xml:lang="eng">This lecture was held by Dr. Palme at the eavesdropping symposium London via video, on 24 April 2021.
See under https://www.eavesdropping.london/archive-1/

The video is available at eavesdropping’s Youtube channel under https://www.youtube.com/watch?v=dCp-svAWLoQ&amp;list=PLKJZW80XhDWaG4bQndxZy0jon6K47tEnS

This event happened within the framework of the PEEK AR537 project On the fragility of sounds, Centre for Gender Studies, KUG.</dc:description>
  <dc:identifier>https://phaidra.kug.ac.at/o:128149</dc:identifier>
  <dc:creator>Palme, Pia M. (PEEK AR 537 On the fragility of sounds)</dc:creator>
  <dc:format>application/pdf</dc:format>
  <dc:subject xml:lang="eng">Music as ecology; relationships; music; ecology; ecofeminism</dc:subject>
</oai_dc:dc>