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<dc:title xml:lang="de">Zur Poetik und Interpretation des offenen Schlusses : Inszenierungen raum-zeitlicher Entgrenzung in der Musik der Moderne</dc:title>

  
<dc:description>The abstract is available here: https://kugscholar.kug.ac.at/o:125810</dc:description>

  
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<dc:language>de</dc:language>

  
<edm:type>TEXT</edm:type>

  
<dc:type>journal article</dc:type>

  
<dc:type xml:lang="en">text</dc:type>

  
<dc:type xml:lang="en">journal article</dc:type>

  
<dc:subject xml:lang="de">Franz Schubert</dc:subject>

  
<dc:subject xml:lang="de">Alban Berg</dc:subject>

  
<dc:subject xml:lang="de">Robert Schumann</dc:subject>

  
<dc:subject xml:lang="de">Helmut Lachenmann</dc:subject>

  
<dc:subject xml:lang="de">Interpretationsforschung</dc:subject>

  
<dc:subject xml:lang="de">musical performance research</dc:subject>

  
<dc:subject xml:lang="de">Arnold Schönberg</dc:subject>

  
<dc:subject xml:lang="de">Joseph Haydn</dc:subject>

  
<dc:subject xml:lang="de">Moderne</dc:subject>

  
<dc:subject xml:lang="de">modernity</dc:subject>

  
<dc:subject xml:lang="de">musical form</dc:subject>

  
<dc:subject xml:lang="de">Form</dc:subject>

  
<dcterms:issued>2020</dcterms:issued>

  
<dc:date>2020</dc:date>

  
<dc:creator>Christian Utz (Institut 1 Komposition, Musiktheorie, Musikgeschichte und Dirigieren, Universität für Musik und darstellende Kunst Graz)</dc:creator>

  
<dc:publisher>Sächsische Landesbibliothek, Staats- und Universitatsbibliothek Dresden; Bärenreiter-Verlag</dc:publisher>

  
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